Marguerite Duras had already established herself as one of the major figures of postwar French literature when she launched an equally fascinating and unclassifiable career in cinema, translating her elliptical, experimental style to the screen through an unprecedented fusion of hypnotic, highly stylized imagery and radically disjunctive sound. Boldly reimagining the possibilities of dialogue, music, silence, and architectural space, the tantalizing, sphinxlike evocations of soul-deep female malaise India Song and Baxter, Vera Baxter embody Duras’s singular multisensory approach, with each opening up new spaces for the expression of women’s interior worlds.